The Top 25 Songs of 2014

What better way to ring in the new year than with a list of songs that somebody else liked? Here are my favorite songs of the year that was. Listen on the fancy playlist that hopefully is appearing below, and/or read my thoughts on each track, and/or stop reading now and start a good book. Like “Watership Down” or something. Got it? Great. Happy new year.

Ex Hex (from left: Laura Harris, Betsy Wright and Mary Timony)

25. Ex Hex – “Waterfall”

Mary Timony’s new ensemble gins up a dynamite Ramones boogie, and gives us an idea of what it must’ve been like to court Dee Dee: “I want to show you my affection / But you’re on the floor.”

 

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24. Jessie Ware – “Say You Love Me”

The kind of scorching R&B theater we took for granted when Whitney and Mariah were at their peak.

 

 

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23. Kylie Minogue – “Fine”

This underappreciated pop star speaks directly to the people who line the walls of the club, staring at their shoes, afraid of how they’ll be perceived: “You’re gonna be fine/You don’t have to worry.”

 

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22. Mark Ronson ft. Mystikal – “Feel Right”

I’ve heard that Get On Up was pretty decent. But I don’t need a James Brown movie. I have Mystikal. “Feel Right” is no “Hit Me,” but it still drowns our eardrums in joyful adrenaline, leaving you no choice but to believe lines like “I eat flames up / Shit fire out!”

 

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21. Swans  – “A Little God In My Hands”

When this angular funk groove gets pancaked by a dump truck of drunken horns, it makes Radiohead’s “The National Anthem” seem like “I Want Candy.”

 

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20. Run The Jewels – “Blockbuster Night Part 1”

Just in case this beat’s Andre The Giant-playing-the-12-string-guitar thump doesn’t do the trick, Killer Mike is here to shake your ass awake: “Top of the mornin’ / My fist to your face is fucking Folgers.”

 

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19. Jungle – “Busy Earnin'”

Perhaps the catchiest dance track to ever leverage the swagger of hardcore capitalists. We “can’t get enough,” indeed.

 

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18. Mastodon – “High Road”

This song compares those who take the high road to plague-ridden rats. Whether or not you agree is immaterial – one listen to that magnificent, belching riff, and you’re following these guys down every tunnel.

 

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17. St. Vincent – “Birth In Reverse”

What does Annie Clark see through the blinds? She hints that it’s something phenomenal, haunting, and American. Perhaps it’s her own reflection.

 

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16. Nicki Minaj – “Anaconda”

During a summer when Taylor Swift and Meghan Trainor were appropriating hip hop tropes in queasy ways, “Anaconda” felt necessary, with Minaj transforming an old pop-rap punchline into something hilariously, defiantly, and indelibly new.

 

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15. Future Islands – “Sun In The Morning”

A stunning ballad that dares to suggest one person can be all you need. It’s “Drunk In Love” for the quavering new wave set.

 

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14. Migos – “Pop That”

Proof that humanity’s instinctual urge to procreate is directly related to our instinctual urge to dance.

 

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13. Tune-Yards – “Water Fountain”

An elegy to a failed public works system presented as a gleeful jump rope chant. Shades of gray aren’t usually this neon.

 

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12. Drake – “0 to 100 / The Catch Up”

A salve for those still irked by the flagrant falsity of “Started From the Bottom.” Drake claims that he left TV for hip hop because the money wasn’t coming fast enough. Then he admits he’s probably not the greatest yet, in a freewheeling flow that begs otherwise.

 

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11. Hannah Diamond – “Every Night”

The chirping synths and Chipmunk vocals of the PC Music collective sound like a robot presenting evidence that it can love. And “Every Night” is its most convincing argument, if only for its charming brain teaser lyrics: “I like the way you know that I like how you look / And you like me too.”

 

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10. Sturgill Simpson – “Turtles All The Way Down”

A ballad about Buddhism and the cleansing power of reptile aliens. Now that’s what I call rebel country.

 

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9. Azealia Banks – “Gimme A Chance”

There’s a difference between an artist making eclectic music and an eclectic artist making music. This track is the latter, transforming from brassy hip hop into a killer salsa tune so seamlessly, you almost don’t realize it.

 

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8. Against Me! – “Transgender Dysphoria Blues”

Hearing Laura Jane Grace’s pain ferment into jet fuel was one of the only things in 2014 that made us believe hatred’s days are numbered.

 

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7. Shamir – “On The Regular”

Throw together some cowbells, a few notes on a synth, and the breezy confidence of the precociously talented – and just like that, dance music feels new again.

 

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6. Cakes da Killa – “Just Desserts”

Listening to a Cakes verse should qualify as an hour of cardio. “Coming at n***as like an avalanche,” he spews here, not even coming close to hyperbole.

 

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5. D’Angelo & The Vanguard – “Betray My Heart”

If you can believe any famous person who claims to be true to themselves, it’s probably the one who waits 14 years to capitalize on his fame. And then does so with earthy aplomb over walking bass and squelching wah-wah.

 

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4. Nicki Minaj – “Boss Ass Bitch (Remix)” 

The Rosetta Stone of being a boss.

 

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3. Sleater-Kinney – “Bury Our Friends”

“Patch me up/I’ve got want in my bones,” belts Corin Tucker on Sleater-Kinney’s first new track in almost a decade. She sounds like a boxer who’s feeling her second wind, a character in an action movie who the CIA convinces to come out of retirement with guns blazing.

 

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2. Clean Bandit – “Rather Be”

When the alarm goes off, you’re holding your person, and you’d trade tickets to Paris for just another hour. Clean Bandit has made a dance song out of that feeling.

 

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1. Young Thug – “Treasure”

Nobody sounds like Young Thug. And “Treasure” captures him at peak delirium, marveling at people who leave money on the table in enchanting quadruple time, his voice squawking and cracking and stopping and starting like a Lil Wayne tape played on a melting Teddy Ruxpin. If you pass up the chance to listen to this, its chorus immediately applies to you.

Honorable Mentions: Azealia Banks – “Chasing Time”; Behemoth – “In the Absence ov Light”; Cozz – “Dreams”; Craig Campbell – “Keep Them Kisses Comin'”; D’Angelo & The Vanguard – “Really Love”; Flying Lotus ft. Kendrick Lamar – “Never Catch Me”; Michael Jackson – “Love Never Felt So Good”; ILoveMakonnen – “I Don’t Sell Molly No More”; La Sera – “Running Wild”; Nicki Minaj ft. Soulja Boy – “Yasss Bitch”; Sinead O’Connor – “Take Me To Church”; Pallbearer – “Worlds Apart”; Robert Plant – “Rainbow”; Rich Gang – “I Know It”; The Roots – “Tomorrow”; Sia – “Chandelier”; TV On The Radio – “Lazerray”; Sharon Van Etten – “Every Time The Sun Comes Up”; Young Thug & Bloody Jay – “Florida Water”

 

 

 

 

 

 

The Top 20 Songs of 2013

Hello readers of words and listeners of sounds! Here are my 20 favorite tracks from the year that was. The common thread running through them all is that I thought they were good. Enjoy! (full playlist at the bottom)

Prince

20. Prince – “Da Bourgeoisie”

On top of making us feel grateful for new Prince music, “Da Bourgeoisie” almost makes us believe that Sly Stone has finally made that triumphant comeback. On the juiciest riff of the year, the purple one teaches us that funk guitar is like a campfire – if you really want it to burn, you’ve gotta let it breathe.

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19. Danny Brown – “Dip”

Here’s a song about an MDMA bender, that sounds like an MDMA bender. A jittery, propulsive beat built on a distorted memory of Freak Nasty’s 1996 hit “Da Dip” sets the stage for the most addictive thing of all – Danny Brown’s tweaked-out yammer.

Jim James

18. Jim James – “A New Life”

On this sweet, triumphant ballad, Jim James doesn’t just sing the line “There’s more stardust when you’re near.” He pronounces the “t” in “stardust” with NPR-ready elocution. He believes in this stuff, and I’m right there with him.

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17. Action Bronson & Party Supplies – “Pepe Lopez”

Pee Wee Herman will forever win the award for “Best ‘Tequila’ Appropriation.” But on this song, Action Bronson comes damn close.

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16. Thundercat – “Oh Sheit It’s X”

2013 was a heck of a year for ecstasy songs apparently. This vivid, psychedelic synth-funk jam from bass virtuoso Thundercat is the blissed-out counterpoint to Danny Brown’s hyperactive horror story.

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15. A$AP Rocky (feat. Kendrick Lamar, Joey Bada$$, Yelawolf, Danny Brown, Action Bronson & Big K.R.I.T.) – “1 Train”

Crew songs in rap are like double albums in rock – they’re usually bloated and unfocused, but the ones that work are all-time classics. And this is an example of the latter – with so many creatively peaking emcees one-upping each other over a haunting, string-laced beat, you never want “1 Train” to stop rolling.

Robin Thicke

14. Robin Thicke (feat. Pharrell and T.I.) – “Blurred Lines”

Lifting its groove wholesale from Marvin Gaye’s “Got To Give It Up,” this juggernaut of a summer jam possessed just the right mix of sunny songcraft and dumb-ass confidence. Even though I heard it around 156,000 times this year, its “you know you want it” refrain always rang true.

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13. Pistol Annies – “I Hope You’re The End Of My Story”

For anybody who’s ever been touched by a story like this.

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12. James Blake – “Retrograde”

“Ignore everybody else/We’re alone now.” On a record full of bald romantic overtures, the chorus from “Retrograde” shimmers the brightest – as does its lilting melody, Blake’s catchiest yet.

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11. Finatticz – “Don’t Drop That (Thun Thun)”

And now for our next entry of Now That’s What I Call Songs About MDMA!: This insanely catchy slice of stripped-down ratchet, which tells us not to drop said drug while educating us on yet another slang term for it. With that chorus blasting, any other high would just seem redundant.

Kanye West

10. Kanye West – “Black Skinhead”

Seven notes, synth toms, hyperventilation, and the truth.

Chance The Rapper

9. Chance The Rapper – “Cocoa Butter Kisses”

When Chance talks about putting Visine in his eyes because his grandma wouldn’t hug him otherwise, this self-deprecating, nicotine-stained gospel singalong becomes the stuff of great storytelling.

Janelle Monae

8. Janelle Monae – “Dance Apocalyptic”

If Janelle Monae was on the Titanic, that sad-sack string quartet would’ve been jettisoned right quick, in favor some absurdly, deliriously addictive R&B.

Rhye

7. Rhye – “Open”

When delivered in the right way, few things are sexier than a plea. With “Open,” Rhye takes the opposite tact of, say, James Brown, but its languorous, whispered appeals feel just as deliciously desperate.

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6. Pusha T – “Numbers On The Boards”

Push growls with the grizzled confidence of a junkyard dog, over a filthy-hot beat that sounds like a trash compacter on the fritz – giving a whole new meaning to the phrase “raw talent.”

Disclosure

5. Disclosure – “When A Fire Starts To Burn”

Take a snippet of molten-hot ranting from a guy who calls himself “The Hip Hop Preacher,” add a no-nonsense drum n’ bass groove, and you’ve got an eternal flame of a club jam.

M.I.A.

4. M.I.A. – “Come Walk With Me”

M.I.A. wrote the catchiest chorus of the year, and then pulverized it with an electronic air raid.

Drake

3. Drake – “Hold On, We’re Going Home”

The 1988 Marvin Gaye last call ballad that never was.

Kanye West

2. Kanye West – “Bound 2”

You’d think the last noise on Yeezus would be some kind of bloodcurdling scream. But it’s actually the reassuring coo of Brenda Lee’s voice, on a song that anchors a tempestuous album in the same way love anchors a man.

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1. Bill Callahan – “Small Plane”

Human flight is quite a feat, but Bill Callahan finds something else even more miraculous on this profound ode to love’s triumph over turbulence.

What I Got For Christmas

Like I learned from Santa Claus: The Movie, Santa Claus is some Dutch guy who gets all magical for some reason I don’t remember. Dudley Moore was there, and there was a homeless kid maybe? OK, it’s been a while since I saw Santa Claus: The Movie. And it’s something that Santa has forgiven me for, because he brought me some amazing shit this year – shit I specifically told my wife I wanted. Isn’t that amazing?

886979214927Sam Cooke – The Man Who Invented Soul

Speaking of getting all magical, Sam Cooke made music that sounded like it came straight from heaven. With a voice effortless in its beauty, lyrics that treat true love like it’s oxygen, and arrangements that blend gospel, pop, vocal jazz and calypso with startling efficiency, Cooke’s catalog is a sonic argument for the innate goodness of human beings. After years of compiling random collections of his work, my CD collection has finally been blessed with the big kahuna – this accurately titled, four-disc retrospective, a desert island item for sure

a7b2521a515dc36ea56d181cada01ce0a27bbbb4James Brown – Star Time

The Man Who Invented Soul would’ve been enough to sustain me through 2013. (What’s that, food? You think I need your vitamins? Fuck you!) So upon receiving this, yet another four-disc box set of one of the 20th century’s otherworldly talents, I understood what it feels like to be a spoiled bitch. And to paraphrase the Godfather of Soul himself – the man whose grooves were so combustible they’d inspire Mitt Romney to put down his milk and get on up – it feels good.

Elaine Pagels, The Gnostic GospelsElaine Pagels – The Gnostic Gospels

Once you say that a book contains the word of God, you’re setting yourself up for some problems down the road. Like, say, if ancient texts were discovered that were written around the same time as your God book, using similar source material. And those texts directly contradicted aspects of your God book, which you’ve been using to guilt-trip people for centuries – such as your claim that Jesus had no interest in gettin’ it on. Pagels’ book is the most renowned study of these “heretic” gospels, and the bitter Catholic school kid in me can’t wait to absorb it.

 

3788568165_b926c4acfeRichard Russo – That Old Cape Magic

You don’t dive into a Richard Russo novel; you slip into one, like an old sweater that provides comfort beyond its fabric. Sure, his protagonists are slightly different versions of the same soft-spoken middle-aged guy who needs to come to terms with his past. But his lazy suburban worlds are so realistically rendered, and his prose is so casually profound, I’m quite sure I don’t care. That Old Cape Magic might not have the narrative heft of Empire Falls or Bridge of Sighs, but merely an echo of those wonders will suit me just fine.

 

mystery_train_5th_edGreil Marcus – Mystery Train

I claim to be a critic of music. Whose favorite songwriter of all time is Randy Newman. And I have never read this, the Citizen Kane (or, I guess Vertigo now?) of rock criticism, which follows the stories of several artists (including my beloved Randy) to make grand comparisons between rock n’ roll and Herman Melville. Shameful.