New Songs to Re-Batten Down the Hatches To, September 2021

I’m one of those walking clichés who “loves fall the most, actually.” But in the age of the delta variant, it’s pretty hard to be basic. While I’m relishing the tell-tale elements of autumn – cool breezes at night, curated horror movie collections on all the streaming services, the way-too-busy ice cream store at the end of my street finally shutting down for the season – it also means we’re headed back indoors, aka COVID’s home turf.

But let’s not dwell on that. Instead, let me remind you that fall is the time to close your windows – which means you can crank this playlist as loud as you want. Everything might feel more complicated these days, but that volume knob still works just the same.

1. Payday (feat. Danny Brown) – “Vampire”

Massive drums, weird operatic vocal loops, and chest-beating vampiric rap verses = an instant Halloween classic.

2. Courtney Barnett – “Write A List of Things To Look Forward To”

I don’t know too many artists who could earnestly sing, “Sit beside me / Watch the world burn,” without sucking every positive vibe out of the room. But cool matter-of-factness is Courtney Barnett’s stock in trade. So she extends that invitation over sweetly jangling guitar chords, and makes our shared human destiny feel full of reasons to smile, ever-so slyly.

3. Lil Nas X – “That’s What I Want”

As an acoustic guitar strums with an irresistible “Hey Ya” pulse, 2021’s savviest, most fully realized pop star lays his vulnerabilities out there in a way that brings all of us into the fold: “I want someone to love me / I need someone to need me.”

4. Unto Others – “Instinct”

On its second album, these goth-metal masters scrap the satanic rituals and throw a 47-minute sullen-teen tantrum – which would be somewhat silly if it weren’t so damn catchy.

5. Little Simz – “Little Q, Pt. 2”

“Real criminals live in the suit!” raps this London MC over a honey-glazed old-Kanye gospel arrangement, shining light into painful corners of her past, encouraging those who’ve caused her harm to step back and focus on the real enemy.

6. Aimee Mann – “Burn It Out”

Over a gorgeous folk waltz arrangement that she should be able to trademark by now, Aimee Mann sets her empathetic sights on a person who just set themselves on fire: “All of the shame that was yours to bear / Will it ignite like a signal flare? / Can you just burn it out?”

7. Bartees Strange – “Weights”

An indie rock song so gleefully and relentlessly buzzy, your hair just might stand up on end.

8. Native Soul – “The Beginning”

This hypnotic, mid-tempo dance groove was my first exposure to amapiano, a type of meditative South African house music that builds but never quite peaks. Its disinterest in grabbing our attention has the opposite effect; I could burrow deep into Native Soul’s world of unshifting shakers and synthesizers and feel eerily fulfilled.

9. Latto – “Big Energy”

Tom Tom Club begat Mariah. Mariah begat Latto. Amen.

10. Parquet Courts – “Black Widow Spider”

A loose, short, weird single about trying to outrun pain and inevitably getting squashed.

11. Open Mike Eagle (feat. Armand Hammer) – “Burner Account”

“Making sure the bass slap, Ndegeocello!”

12. Iron Maiden – “Hell On Earth”

Iron Maiden released its 17th studio album in September, and it smartly focuses on what the band does best these days – long, slowly unfurling epics that wrestle with big questions, and only provide answers in the form of exquisite guitar playing. “Hell On Earth” is the best, and most resolutely hopeless, of the lot. “Lost in anger! / Life in danger!” bemoans Bruce Dickinson in the song’s eighth minute, the musicians behind him affirming his righteous outrage by playing slowly and determinedly. Iron Maiden is no longer urging anyone to run for the hills. Because there’s no escape from what humanity has wrought. If this ends up being their final song laid to tape, I can’t think of a more honest – and thoroughly metal – farewell.

New Songs to Pull Me Back from the Brink of Total Cynicism, August 2021

I’m currently reading book two of The Stormlight Archive, an exhilarating door-stopper fantasy series where ancient knights can breathe light that heals their wounds. (What, you thought I was, like, cool or something?) As hospitals fill right back up with anti-vaxxers who trust Facebook more than science books, these 10 songs have been my form of magical oxygen. Some are dance-floor-ready bangers; others are spacey instrumentals; all are imbued with the kind of positive vibes that make me feel like I can do impossible things. So go ahead. Breathe.

1. Queen Key – “What I Do”

After giving birth to triplets at the beginning of the pandemic, this Chicago rapper cannot be bothered to sound stressed, casually sharing her plans for world domination over sunny piano notes: “I want them to think that I’m slow / Think I’m a ho / So I can take their souls and put em in my fro.”

2. Sturgill Simpson – “Shamrock”

This usually idiosyncratic country star has given us three old-school bluegrass LPs in the last year, all of them barnburners. On “Shamrock,” he lets his band absolutely pop off, while managing to not drown out the mouth harp. The world needs more mouth harp!

3. Becky Hill (feat. Topic) – “My Heart Goes (La Di Da)”

A dance-pop anthem with a sound so convincingly ’90s, I coulda sworn CeCe Peniston had became a cardiologist.

4. Abstract Mindstate – “A Wise Tale”

Turns out there was a reason to celebrate Kanye West’s return this August – as the producer on this low-key comeback LP from a forgotten Windy City rap duo. This rich, playful, soul-sample-flipping beat might be old hat for Ye, but it’s perfect for slightly wistful late-summer barbecues, and better than anything on Donda.

5. Marisa Anderson & William Tyler – “News About Heaven”

From the first cascading guitar notes of this serene instrumental, you know this song title is perfect.

6. Caribou – “You Can Do It”

I hope Dan Snaith’s don’t-overthink-it lounge-house groove rips this phrase out of Rob Schneider’s big dumb mouth, once and for all.

7. Denzel Curry – “The Game”

This Florida rapper is capable of such exceptional acrobatics, his straightforward, martial approach on “The Game” hits even harder. Here’s to him and Kendrick coming to our rescue at the end of this fairly boring year in rap.

8. John Carroll Kirby – “Mystic Brine”

The soundtrack to the new psychedelic animated oddity Cryptozoo is an appropriately otherworldly stoner daydream – but it’s also undeniably real, man.

9. Tierra Whack – “Walk the Beat”

The first full embrace of club music from this Philadelphia rapper/singer/visionary is refreshingly blasé about haute couture: “Fashion shows, fancy clothes / That’s just the way it goes.”

10. Wanda Jackson (feat. Joan Jett & the Blackhearts) – “That’s What Love Is”

This is the last song on this 83-year-old country legend’s final album? Holy shit:

It isn’t just the way we felt that first day
It’s an ongoing thing, I fought more along the way
It’s knowing you’ll be there when I call your name
That’s what love is

New Songs to Sigh Through My New Mask To, July 2021

Sorry I’m a few weeks late with this one! I’ve been traveling a bit for work, which put my listening habits on hold and also reminded me that this pandemic is very much still a thing – I needed my mask for more than just the plane. Boy was I dumb to title my last playlist “New Songs to Gingerly Re-Enter Society To”!

1. Prince – “Same Page, Different Book”

It’s common for famous musicians to return to the sounds of their formative influences as they age, but rarely does it sound as cool as Prince’s late-stage embrace of Sly Stone funk-vamp mimicry. This track from newly unearthed 2010 sessions has some bass lines that will slingshot your soul to a distant galaxy.

2. Amyl & The Sniffers – “Security”

“I’m not looking for trouble / I’m looking for love!” pleads lead singer Amy Taylor to a skeptical bouncer, over seething riffage and pummeling drums that threaten to clear the way.

3. Silk Sonic – “Skate”

Anderson .Paak and Bruno Mars deliver a Motown-indebted charisma bomb that makes every half-assed compliment (“In a room full of dimes / You would be a hundred dollars”) feel like a glittery proposal.

4. Maxo Kream – “Local Joker”

Maxo Kream is so good at telling stories, he doesn’t need a production full of big dramatic shifts. On “Local Joker,” the Houston rapper illustrates the difference between his previous life of crime and his current celebrity, filling our ears with nostalgia, sadness and relief. A low-lit soul loop quietly unfurls beneath him, and it’s absolutely enough.

5. Courtney Barnett – “Rae Street”

“Time is money / And money is no man’s friend,” goes the chorus to Courtney Barnett’s first single since 2018. Thankfully, she doesn’t apply this adage to this track’s production, letting her guitar chords ring out over a patient, sauntering arrangement. It all feels like a Sunday stroll with a sarcastic philosopher, with no particular place to go and plenty of time to get there.

6. Sleigh Bells – “Locust Laced”

The amp-stacking cheerleader-chant energy of this Brooklyn duo tends to toe the line between grating and exhilarating. “Locust Laced” is very much the latter – the kind of confrontational noise pop we need to short out the chaotic news ticker in our minds: “I feel like dynamite / I feel like dying tonight!”

7. Lingua Ignota – “Perpetual Flame of Centralia”

Anyone fascinated and/or repulsed by the effects of organized religion on the human psyche needs to light some candles, gird their loins, and play Kristin Hayter’s terrifying new LP, Sinner Get Ready. “I am covered with the blood of Jesus / Fear is nothing when the path is righteous,” the noise-metal experimentalist croons over ominous piano chords, making us feel just how scary it can be when a dangerous person feels sanctified.

8. Shannon Lay – “Geist”

When Shannon Lay shifts from simple plucking to a finger-picking cascade, it’s like a seance meant to summon the spirit of Nick Drake.

9. Coldplay – “Coloratura”

The more complicated and uncertain our future becomes, the more I’m drawn to simple expressions of hope. And that has been Coldplay’s stock in trade for decades, reassuring us that everything’s not lost, that we can go back to the start, that we should be patient and not worry. “Coloratura” is a classic Coldplay hope-bomb genetically modified for the times – a 10-minute epic about the existence of some form of heaven. “We’re a slow burning tune / But we’ll get there,” Chris Martin sings, invoking the names of scientific visionaries as proof of humanity’s potential. As the arrangement swells to a “Shine On You Crazy Diamond”-esque panorama, I feel my cynicism erode, the simple chord progression aligning with that stubborn, tiny part of me that still believes.

New Songs to Gingerly Re-enter Society To, June 2021

With America opening back up at a dizzying pace, my emotions are all over the place. I hear a song about two zodiac signs that almost perfectly aligns with my wife and I’s astrological dynamic, and I feel like dancing with her until my ankles hurt. But then I hear another song about the facades we have to wear in social situations, and I want to hide under the covers. So with this list, I want to honor this rollercoaster of joy and anxiety that we’re all on in some way, shape or form. Get ready to party, then fall out, and then party some more!

1. Helado Negro – “Gemini and Leo”

Two years after sweeping us up in the whisper-delicate dream world of his last album, This Is How You Smile, Helado Negro feels like dancing. And by turning to the zodiac over this airy disco groove, the singer/songwriter elevates a simple story of two people vibing on the dance floor into a connection that must be written in the stars.

2. Jessie Ware – “Hot N Heavy”

Speaking of irresistible disco grooves about falling in love on the dance floor…

3. Tyler the Creator (feat. Lil Wayne) – “Hot Wind Blows”

Tyler the Creator isn’t just a sonic visionary who has left his gimmicky shock-rap roots in the dust – he’s an artist with the kind of big-tent vision that inspires old-timers to bring their A game. Over a flute-speckled Henry Mancini sample, Tyler sets the table for Lil Wayne, who lays into the cut with effortless, syllable-spraying glee.

4. Unto Others – “When Will Gods Work Be Done”

This Portland goth-metal hook factory, formerly called Idle Hands, had to change its name last year due to copyright issues. If you thought it might’ve disrupted their mojo, worry not. Their first track as Unto Others is a prime example of their Depeche Maiden formula, pairing a theatrically bleak worldview with punishingly catchy dual-guitar leads.

5. The Mountain Goats – “Lizard Suit”

Not super psyched for social situations to be making a comeback? This jazz-folk alienation anthem is for you: “Let my phobias control my habits / Let my habits form the shapes of days.”

6. Japanese Breakfast – “Jubilee”

When the horns come in on this chorus, it’s like the clouds parting in a way the weatherman could never predict.

7. Sault – “London Gangs”

Sault, the still-faceless UK rhythm & blues collective, dropped its fourth album of visionary jams in June. Including this one, where they make a bass line sound like a pot of water on a rolling boil, ready to receive any ingredient and make it sing.

8. Spellling – “Turning Wheel”

A sweeping, let’s-hold-hands-and-sway, Beatlesque ballad about how staying up on the hill doesn’t necessarily make you a fool.

9. Pa Salieu (feat. slowthai) – “Glidin'”

I love it when a rapper just tells me how a beat makes them feel.

10. Lucy Dacus – “Please Stay”

Break-up songs can be tough listens. But please-don’t-break-up-with-me songs? Those are the ones that break me.

So Bitter and So Sweet: Joni Mitchell’s Blue Turns 50

When I was 15, a kind, patient older cousin of mine was killed in a freak accident. A few days after getting that news, I was in the middle of a driving class when my instructor asked me if anything was wrong. I was stumped at first. Nothing seemed off to me; I didn’t think my driving or behavior was erratic. But both were. It took me a while to realize that I had internalized my grief so much that I was tricking myself into believing everything was okay. Instead of crying about it, or talking about it, or confronting it in any way.

And because I was a boy, and the other men in my life were just like me in the feelings department, I accepted this lack of emotional intelligence as just part of who I was. It wasn’t until my senior year of college that the dam started to break. Because that was the year I met my wife, who is teaching me what it means to be self-aware to this day. It was also the year I bought Joni Mitchell’s Blue on CD. We would fall asleep to it in the middle of the day, comforted by how the intensity of its emotions resonated with ours.

Up until Blue was released 50 years ago today, the definition of a singer/songwriter was problematically narrow – essentially it described a man who did it all, except for telling us how he really felt. Bob Dylan and Leonard Cohen were the recognized masters of this form, posing stoically on their album covers to make it clear they were brooding troubadours who answered to no one. And while they would pull the veil back occasionally, these were artists who wrote songs like English professors – shrouding any vulnerability in layers of metaphor and literary references. Given how good their music sounded, it was easy to associate their lyrical complexity with artistic worth. To believe that honesty is somehow simpler or easier.

An iconoclast from day one, Joni Mitchell wasn’t about to pay attention to what a singer/songwriter was supposed to be. The Alberta native didn’t even tune her guitar in the standard way, perpetually twisting the pegs in search of brand new clusters of notes, frustrating generations of campfire strummers in search of an easy cover. In the years leading up to Blue, she used these invented chord structures to give her first three albums an ethereal quality that folk fans hadn’t quite experienced before. Yet her lyrics, while reflective of her talent, needed some time to catch up. These early songs were written in the ’60s Greenwich Village mold, anthems anchored by metaphors intended to be applicable to all – life is like a merry-go-round; growing up is like seeing the clouds from above for the first time. One of her biggest hits was about Woodstock, and she wasn’t even there.

These songs I’m referencing remain rightfully iconic, and they resulted in Mitchell becoming very famous very quickly. And like a lot of artists who are both egomaniacally driven and emotionally sensitive, she ended the ’60s feeling overwhelmed, disillusioned with fame, and seriously considering retirement. In Malka Marom’s fascinating interview collection Joni Mitchell: In Her Own Words, the artist describes this time in her life:

I hadn’t cried for years, but at that time I cried all the time. They walked on the moon, I cried. Everything made me cry. […] Another day, I came upon a boat being pulled by a car crossing under the telephone lines as they went across the road. The name of the boat was The Wife’s Mink Coat. And I burst into tears. It had two motors and I just saw all the disruption those egg beaters were making in the water, and I felt sorry for the fish. I had to pull over to the side of the road. I was weeping about that.”

Mitchell wrote and recorded Blue in this state of mind, and made no attempt to hide it, describing the nuances of her emotions with an honesty and specificity that would forever expand the boundaries of what a singer/songwriter could do. Gone were any attempts to tap into the zeitgeist. Blue is about what one person was going through, period.

Over sparse folk arrangements that feature only a handful of players other than her, Mitchell sings about her needs, regrets, and traumas, embracing how uncomfortably they could live alongside one another. The love songs are mournful. The travel songs are homesick. The sad songs shiver in the shadows of potential happiness. To someone like me, who struggled to understand the fact that human beings contain multitudes, this doubled as a psychology lesson.

On the opening “All I Want,” Mitchell sums up the mercurial push and pull of a passionate relationship in a few pronoun-laden lines, as her dulcimer and James Taylor’s guitar lay down the path ahead:

I hate you some, I love you some
Oh I love you when I forget about me

Most relationship eulogizers would be satisfied with this passive, poetic sadness, like Dylan telling his ex not to think twice and just move on. But Joni Mitchell wasn’t kidding when she titled this song. She wants us to know all of the good things she wants for this person as well. Even though it’s contradictory, and an admission of vulnerability:

I want to be the one that you want to see
I want to knit you a sweater
Want to write you a love letter
I want to make you feel better
I want to make you feel free

On the devastating ballad “Little Green,” when singing to the child she gave up for adoption while mired in poverty –a personal trauma that was a closely kept secret until the 1990s – Mitchell keeps stubbornly looking for pinpricks of hope:

So you sign all the papers in the family name
You’re sad and you’re sorry but you’re not ashamed
Little green have a happy ending

On the record’s more upbeat numbers, the reverse is true. “California” uses sprightly acoustic strumming to underline Mitchell’s largely rose-colored memories of adventures abroad. But in the last chorus, she asks her adoptive home state if she’s worthy: “Will you take me as I am?” “Carey” fleshes out another lively acoustic groove about international travel with conga hits and layered vocal harmonies. But her “fingernails are filthy,” and she has “beach tar on her feet.” And the red-haired Cretian man who inspired the title? He’s “a mean old daddy.”

“My insights became keener,” Mitchell tells Marom about her frame of mind while recording Blue. “I’d just look at a person and I’d know too much about them that I didn’t want to know. And because everything was becoming transparent, I felt I must be transparent, and I cried.”

As arguably the first “transparent” work from a singer/songwriter, Blue has inspired countless purveyors of confessional art over the last half-century. But I’ve yet to hear one that resonates as powerfully. Perhaps because this was a radical form of unguardedness, an artist knowingly twisting the pegs of misogynistic limitations by the mere act of being honest on tape. Or maybe Joni Mitchell just happened to be in an elevated state of self-awareness that aligned with her talents reaching their peak. Regardless, the alchemy of these sounds and words is timeless.

To this day, when I’m having trouble tracing the origins of my emotions, I’ll turn to this album. Because in life, when you try to ignore your feelings and make literary references instead, that just makes you an asshole. Thanks to my wife, and this album, I feel comfortable saying that I miss my cousin. That I will never forget the time he sat and played a board game with me on a family visit, even though he was older and cooler and absolutely had better things to do. That I wish he was still alive.

And wouldn’t you know it? I’m crying.

New Songs to Quarantine To, May 2021

Even though this was the month I became fully vaccinated and walked into the supermarket without a mask, I still don’t feel comfortable changing the title of this column. My psyche is still quarantining, and would rather listen to these cathartic, confident, grief-stricken songs than engage in a face-to-face conversation with someone I just met. Also, what would the new name be? “New Songs for a Strange Transitional Period Where Our Bodies are Protected but our Minds Need a Minute to Catch Up”? If you have a better idea, leave it in the comments. Even better, just press play.

1. The Linda Lindas – “Racist, Sexist Boy (Live at LA Public Library)”

So much more than a piece of content “we all need right now,” this breakout live performance from a quartet of Asian and Latinx teens and tweens boasts the kind of cathartic, no-bullshit punk songcraft that is made to last – especially in a country that is still pretending it isn’t racist.

2. Georgia Anne Muldrow – “Old Jack Swing”

This hip-hop instrumentalist has said that her new album is meant “to be played when you birth yourself back outside after a long introspective period.” And this offering of funky, distorted bass and rumbling low-end piano should make every vaccinated person want to take off their masks and strut.

3. Audrey Nuna (feat. Saba) – “Top Again”

This New Jersey pop/R&B/rap triple-threat fuses ’90s angst with ’20s swagger, using “Kurt Cobain” as a verb and boasting about how her “Gabbana pants sag in the mosh pit.”

4. Sarah Barrios – “IH8EVERY1”

As I begin to spend time with people other than my wife again, this nihilistically romantic pop-punk earworm is gonna get a lot of spins.

5. Mustafa – “The Hearse”

On this grief-stricken, revenge-fueled dubstep/folk triumph, Mustafa’s voice trembles like a deck of cards: “I wanna throw my life away for you.”

6. Holly Humberstone – “The Walls Are Way Too Thin”

Claustrophobia is going to be a songwriting theme for awhile I imagine, and this UK singer/songwriter has used it as fuel for a heartbroken synth-pop gem.

7. Japanese Breakfast – “Savage Good Boy”

Michelle Zauner has already given us Sweensryche’s Song of the Summer, but she’s just getting started. The deceptively sprightly “Savage Good Boy” finds her inhabiting a truly evil character – a billionaire with a bunker, attempting to lure a woman down there as the seas inexorably rise.

8. Mach-Hommy – “Kriminel”

The mysterious, multilingual, always-masked-even-before-COVID emcee Mach-Hommy just released Pray for Haiti, a stunning achievement of hazy, soothing, organically intoxicating hip hop. “Kriminel” exemplifies this artist’s preternatural sense of calm, reminiscing about lost loved ones and childhood struggles over a quavering vocal sample, and patiently explaining why: “Fuck all that industry / Cause killers keep calm / She wrong / Cause n****s’ feelings need songs.”

9. Lucy Dacus – “VBS”

Lucy Dacus is one hell of a storyteller, and here’s one for all the lapsed Christians looking to feel seen. The singer/songwriter mines her memories of summers at “Vacation Bible School,” as a once-earnest believer who meets a Slayer-cranking naysayer who tries to poke holes in her logic, however awkwardly (“Your poetry was so bad / It took a lot not to laugh”). By the end, nobody has been saved.

10. Little Simz (feat. Cleo Sol) – “Woman”

“Innovating just like Donna Summer in the ’80s.”

11. Shungudzo – “I’m Not A Mother, But I Have Children”

Over a gravity-free expanse of gently plucked guitars and faraway synth murmurs, this Zimbabwean-American singer (and 2011 Real World cast member) sings about our shared responsibilities for this planet with desperately poetic turns of phrase: “Isn’t the point to try? / Even though some things will not be alright / Before we die.”

12. Helloween – “Fear of the Fallen”

Like plenty of legacy metal acts, Helloween has churned through multiple lead singers over its 37 years of existence. But on this new track, the German power metal institution has done something original – invite all three singers back to wail lines like “Listen to your HEART!” with flame-throwing, doubt-destroying energy.

13. Shannon Lay – “Rare to Wake”

“Without change, something sleeps inside us,” observes this California singer/songwriter, as she makes her acoustic guitar strings dance like Nick Drake vacationing in Laurel Canyon, leaving us fully and completely awakened.

New Songs to Quarantine To, April 2021

As I write this, on the eve of my second vaccination shot, I’m thinking about the moments during quarantine that I want to hang onto. And they all have something to do with gratitude. While I’m excited by the prospect of being able to breathe openly in a room without tempting fate, I never want to lose the feeling of being safe with the person I love, in the house we made a home, amazed at the life we built together.

I think that’s why I was drawn to songs about intimacy, trust and hope this past month. No matter how much the world opens up, it’s what we carry inside of us that makes us free.

1. Kero Kero Bonito – “21/04/20”

This tired-but-hopeful sunshine pop song describes captures our current moment so accurately, you almost expect it to glitch like a Zoom call: “Hey, so, how are you doing? / I’m okay, you know, the usual kinda weird.”

2. Brockhampton – “Count On Me”

If this irrepressible Texas rap collective isn’t lying when they say this new release will be one of their last, at least they’re going out on top. “Count On Me” is a goosebump-raising good-vibes earworm about commitment and trust, perfect for anyone who wants to make a proclamation of love in the midst of a summer BBQ.

3. Spellling – “Little Deer”

We are all Bambi in the 2020s, trying to maintain friendships in a world full of forest fires and emboldened men with guns. And this Oakland R&B crooner has created an ideal soundtrack for us, pairing naturalistic poetry about the circle of life with the rich orchestral arrangement it deserves.

4. Jeff Rosenstock – “SKrAm!”

Jeff Rosenstock’s anthemic punk LP No Dream was a catchy, sweaty highlight of 2020. But Ska Dream – his new, track-for-track ska cover version – might be even better.

5. ILOVEMAKONNEN – “What You Tryna Do”

The self-love expressed in Makonnen Kamali Sheran’s stage name has always been more of a shelter than a boast, protecting his emotionally intelligent rap and R&B songs from the homophobic slings and arrows of the Atlanta trap scene. On this new acoustic ballad, he’s as close-miked, open-hearted, and consent-conscious as ever: “Is it okay if I have one little kiss?”

6. Vision Video – “Inked in Red”

In the same month that a U.S. president finally announced the end of the war in Afghanistan, we get a pitch-perfect retro-goth single from a band whose lead singer, Dusty Gannon, is a veteran of that war. When he sings “History has drawn these lines across my face,” it’s a long way from cosplay.

7. Polo G – “Rapstar”

A rap beat based on a ukulele riff sounds insufferably twee on paper. Polo G turns it into something enchanting.

8. Little Simz – “Introvert”

Over an epic trombones-and-choirs beat, this UK rapper confronts government corruption, systemic racism and her own personal anxieties with sensitivity and clarity, reminding us that art can at least feel like the light at the end of the tunnel.

9. Tierra Whack – “Link”

I was ready to roll my eyes at this partnership between Tierra Whack and Lego, but sometimes even product placement can move us. “You should come and build with me / We could link up,” the Philly artist sings over the kind of Rugrats-soundtrack music-box groove she’s been favoring these days. It might be a glorified ad, but after a year of humanity struggling to maintain connections, it absolutely works.

10. Lucy Dacus – “Hot & Heavy”

For anyone who’s not 100% thrilled about heading back to your hometown post-COVID, here’s a devastating anti-nostalgia rock anthem that turns Springsteen’s “Glory Days” on its head: “Being back here makes me hot in the face / Hot blood pulsing in my veins / Heavy memories weighing on my brain.”

New Songs to Quarantine To, March 2021

In April, my home state will be opening up vaccinations to all adults. This is a fact that has not completely registered in my mind – even after I get my shots I’m guessing I’ll be flinching at shadows in crowded places for a long time. But I do find myself being more easily comforted by the thrumming noise of woodpeckers searching for sustenance outside my home office window. And the songs that really spoke to me in March include the work of two octogenarians, deriving joy from doing what they love, as well as a reverential cover of Dolly Parton’s most hopeful song. Things are changing out there, even more than a typical spring.

1. Japanese Breakfast – “Be Sweet”

And here it is, the first serious contender for 2021’s Song of the Summer (for me at least) – an airy synth pop gem about the need to believe in someone that feels like it’s existed ever since Cyndi Lauper first promised “If you fall, I will catch you.”

2. Zara Larsson – “FFF”

I could spend this whole space talking about the grammatically heinous and somehow perfect line, “Is this a story arc? / Cause if it are, it’d be iconic.” But then I’d be ignoring that insanely catchy beat, which sounds like the Vengaboys trying to impress Kylie Minogue in 1998.

3. Tune-Yards – “Nowhere, Man”

This duo loves establishing a monster drum and bass grove, and then doing everything they can to get in its way. On “Nowhere, Man” they try telephone vocal effects, a shouty chorus and a bridge that throws the kitchen sink into the mix. None of it kept me from dancing.

4. Aesop Rock – “Long Legged Larry”

Did you know that March 20 was World Frog Day? Aesop Rock did, inventing an amphibious character called Long Legged Larry who rescues cats from trees and poodles from high-wire act disasters, rapping about him in a sing-song storytelling style that will have listeners of all ages jumping for joy.

5. Loretta Lynn – “I Saw the Light”

New music from a profoundly influential, 88-year-old country legend, singing Hank Williams’s timeless ode to spiritual epiphanies with palpable delight in her voice? Maybe there is a god.

6. Georgia Anne Muldrow – “Mufaro’s Garden”

Evocative, jazz-inflected instrumental hip-hop that doesn’t need a rapper to resonate – it’s already rhyming with our souls.

7. Genghis Tron – “Pyrocene”

This synthesizer-fueled prog-metal group has reunited after over a decade apart, seemingly on a shared mission to uncover a new form of interstellar sonic beauty.

8. Floating Points, Pharoah Sanders & The London Symphony Orchestra – “Movement 4”

The 80-year-old saxophone legend Pharoah Sanders has teamed up with a British producer and world-famous orchestra on a gorgeously interconnected suite called Promises. This is my favorite bit, because it begins with Sanders vocalizing into the mic over a soft bed of mallet instruments. He doesn’t form one word, aware that his improvised gibberish has a soothing quality, like the sound of bubbles racing to the surface of a pond.

9. Lil Nas X – “Montero (Call Me By Your Name)”

By titling his new single with his real-life first name and tossing in an homage to one of the first gay films he ever watched, Lil Nas X is not bowing to the pressure he must be facing to give the world another “Old Town Road.” He’s taking us along on his personal journey instead, rapping over a flamenco-flecked beat about a real-life COVID crush and confessing “I wanna sell what your buyin’ / I wanna feel on your ass in Hawaii.”

10. Waxahatchee – “Light of a Clear Blue Morning”

As the vaccination numbers continue to rise, and more and more people step out into the world with something resembling relief, the timing was right for Katie Crutchfield to release her cover of “Light of a Clear Blue Morning,” hewing closely to the golden-sunrise country-pop arrangement of Dolly Parton’s cynicism-destroying original. It’s the sound of hope, pure and true.

Top 100 Albums of the 2010s (75-71)

Feeling nostalgic for the 2010s yet? They weren’t great, but at least they’re not the 2020s amirite? And while we’re on the subject of things that aren’t fun, what about Mondays? Cold weather? That time the hometown sports team got robbed? Unpopular bloggers who drive stupid gags into the ground?

Anyways, here are entries 75-71 in my seemingly never-ending countdown of my 100 favorite albums from the past 10 years.

75. Haim – Something to Tell You (2017)

If you didn’t already feel grateful for Wilson Phillips in the 2010s – was there better advice during the Trump administration than “hold on for one more day”? – hopefully the rise of Haim corrected that problem. On its second album, this trio of California sisters continued to revel in 1980s supermarket pop aesthetics, harmonizing about big-time emotions over even bigger drum machines and effervescently processed guitars. The best songs remain the singles, which pair absolutely massive choruses with quirky production wrinkles that make repeat listens even more rewarding – on “Want You Back,” it’s a horse’s whinny; on “Little of Your Love,” it’s someone falling asleep at the pitch bender; on “Nothing’s Wrong,” it’s a series of oddly interrupted gasps. For all its obvious influences – Haim have definitely paid close attention to Stevie Nicks’s recipes – Something to Tell You is not some generic, store brand approach to pop hooks. This band figured out how to bottle their unadulterated joy. And so far, it seems like there’s no expiration date.

74. Thundercat – Drunk (2017)

Through his session playing alone, bassist Stephen “Thundercat” Bruner made an indelible mark on 2010s hip hop and R&B – Erykah Badu’s New Amerykah series and Kendrick Lamar’s To Pimp a Butterfly are just a few of the modern classics that entrusted their low ends to him. But as the cover to his third solo album depicted, the potential of this artist as a vibrant new songwriting voice was only just beginning to emerge. Drunk is the work of an artist with a kaleidoscopically imaginative vision all his own. The music was rooted in his fluid, beautiful bass lines, which was important because it’s one hell of a gumbo: fiery jazz, chittering electronica and straight-faced yacht rock. In a voice that shifts into falsetto with ease, the artist sang about mundane late night rituals and fun Japanese vacations with awestruck, childlike energy. By building these bridges between poetry and poptimism, Thundercat was able to pull off a love-against-all-odds ballad featuring Michael McDonald and Kenny Loggins, and then shift to a regret-laden Kendrick Lamar rap showcase on the very next track. It remains one hell of a balancing act, which leaves us feeling the opposite of wasted.

73. Drive-By Truckers – The Big To-Do (2010)

To give a song the best chance at catching on, it’s best to stay vague. Listeners love to interpret lyrics in ways that fit their own situations, which is why The Police’s serial stalker anthem “Every Breath You Take” is still a hit at weddings. But the Athens, Georgia, alt-country institution Drive-By Truckers hasn’t had much time for that advice since its inception in the late ’90s. On its eighth LP, the band rang in the 2010s with an album full of exhilarating specificity – detailed story songs with colorful characters, performed with the kind of chiming roots rock efficiency that made Tom Petty famous. “Drag the Lake Charlie” documents a small town’s reaction to a cheating man gone missing, and the looming danger of his trigger-happy partner. “The Wig He Made Her Wear” recounts the murder trial of a woman claiming self-defense, and the unusual exhibits that inspired the jury to reduce the charge. “The Flying Wallendas” tells the true story of a legendary family of tightrope walkers, many of whom fell to their deaths doing what they loved. When Hood encounters a surviving Wallenda in Florida, the awe flows from his pen: “I was stunned and astounded that the old lady who was out / Pruning her orange trees / Had flown to the heavens and back.”

72. Laura Marling – Semper Femina (2017)

Happily ever after is great and all. But if we felt nothing but fairytale bliss, we wouldn’t get to appreciate art that traffics in shades of grey. Like Laura Marling’s stunning sixth album, for example. Each of the nine tracks on Semper Femina takes its own distinct sonic path as it searches for meaning in an unfulfilling relationship. “Soothing” rides a mournfully funky bass line. “The Valley” basks in pastoral acoustics. “Nothing Not Nearly” brings in stabs of fuzzbox guitar. And it’s all tied together by Marling’s empathetic pen. As she deals with love, and loss, and love that doesn’t go away even though it’s lost, she maintains a passion for the whole flawed phenomenon of human coupling that’s as impressive as the impeccably produced surroundings. On the final chorus, Marling makes her mission statement clear, just in case we weren’t paying attention: “Nothing matters more than love.”

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71. CupcakKe – Ephorize (2018)

When a brilliant, charismatic rapper is just starting to blow up, there are few things more exciting for a listener – being there for that moment, pressing play on the album that could put them on the short list for Best Rapper Alive. For CupcakKe, Ephorize was that moment. The third LP from the Chicago rapper was a significant leap forward from 2017’s excellent Queen Elizabitch – pairing her sharply honed lyricism and whitewater-rapids flow with club-ready production that sends all the positive vibes into the stratosphere. The artist is most famous for explicit, sex-positive bops, and she delivers one of her greatest here with the Statue of Liberty-referencing “Duck Duck Goose.” But Ephorize is equally defined by themes of personal growth and celebratory equity. “Most people already skipped this song cause it ain’t about sex and killin’,” she raps on “Self Interview,” a fearless recitation of her anxieties that ends with a vow to be true to herself. When this inward empathy explodes outward, CupcakKe is in rarefied air. “Boy on boy / girl on girl / Like who the fuck you like / Fuck the world!” she proclaims over the sax-laden dancehall groove of “Crayons.” It’s like we’re riding a rainbow rollercoaster, double guns drawn, the Best Rapper Alive at the controls.

New Songs to Quarantine To, February 2021

Ever since I started these monthly playlists last January, I have posted them on the last day of the month. But in February 2021, it wasn’t in the cards. Because February 2021 was tough. Grey skies, freezing temps, a deadly virus, a new Tom & Jerry movie – it was all too much. So I hope you can forgive me for posting a bit late. I promise, the songs are worth it.

1. Nervous Dater – “Farm Song”

Rachel Lightner sings about depression so cleverly – “When it gets real bad I call it movie theater mode / Watching myself from the dark of the very last row” – it doesn’t register as sadness. And that twangy power-pop melody doesn’t hurt either.

2. Cardi B – “Up”

Three piano notes – that’s all Cardi B needs to make rap music that sounds like a goddamn event.

3. Nick Cave & Warren Ellis – “White Elephant”

Anytime we have a conversation about what’s holding society back from achieving racial harmony, there’s an elephant in the room. And we know what color it is. On Nick Cave’s stunning new album with his long-time Bad Seed and film score partner Warren Ellis, he sings from the perspective of a white supremacist with an itchy trigger finger. “I’ll shoot you just for fun / I’m a statue lying on my side in the sun,” he sneers over menacing synthesizers, trying his hardest to ensure that, like an elephant, we never forget.

4. Noname – “Rainforest”

If any artist could make an ambitious anti-capitalist polemic feel like a slow ride down a gentle stream, it’s Noname. “How you make excuses for billionaires / You broke on the bus” the Chicago rapper posits on the chorus, backed by a low-key Latin groove that even the mind-boggling logic of poverty-stricken Republican voters can’t spoil.

5. Danny L Harle & DJ Danny – “Take My Heart Away”

As the world continues to mourn the tragic death of pop visionary SOPHIE, an artist who twisted club music into shapes that would shock a geometrist, a fellow artist on SOPHIE’s PC Music label carries the torch, drilling a mindlessly catchy dance hook into our brains with the commitment of a modern artist.

6. King Gizzard & The Lizard Wizard – “See Me”

I have no idea what these genre-hopping New Zealand psychedelic rockers do when they’re not in the studio – they’ve dropped nine LPs in our laps since 2017 – but you can’t accuse them of running out of ideas. “See Me” sounds like an out-of-tune xylophone soundtracking a descent into madness, aka February during a pandemic.

7. Victoria Monét – “F.U.C.K.”

My vote for the worst album title of all time probably goes to Van Halen’s 1991 experiment in brain-dead acronyms, For Unlawful Carnal Knowledge. I have no idea if R&B singer/songwriter Victoria Monét is familiar with this Hagarrible moment in music history, but her riveting new single resuscitates the concept by playing against expectations, demanding something more meaningful than casual sex: “I wanna be a Friend You Can Keep.”

8. Vektor – “Activate”

The sci-fi thrash-metal behemoths in Vektor are back, screaming about “gyroscopic spires” and doing things with guitars and drum kits that definitely seem scientifically impossible.

9. Syd – “Missing Out”

This synth-drenched R&B virtuoso shared her first new solo track in four years – a hushed, moonlit ode to how breaking up can be the best thing for your self esteem. Just in time for Valentine’s Day.

10. Haim (feat. Thundercat) – “3 AM”

What’s a surefire way to make this “you up?” ballad from Haim’s Women In Music Pt. III album even better? Add a guest verse from Stephen “Thundercat” Bruner – one of the most convincing, and non-threatening, sonic pick-up artists in the game.