In April, my home state will be opening up vaccinations to all adults. This is a fact that has not completely registered in my mind – even after I get my shots I’m guessing I’ll be flinching at shadows in crowded places for a long time. But I do find myself being more easily comforted by the thrumming noise of woodpeckers searching for sustenance outside my home office window. And the songs that really spoke to me in March include the work of two octogenarians, deriving joy from doing what they love, as well as a reverential cover of Dolly Parton’s most hopeful song. Things are changing out there, even more than a typical spring.
1. Japanese Breakfast – “Be Sweet”
And here it is, the first serious contender for 2021’s Song of the Summer (for me at least) – an airy synth pop gem about the need to believe in someone that feels like it’s existed ever since Cyndi Lauper first promised “If you fall, I will catch you.”
2. Zara Larsson – “FFF”
I could spend this whole space talking about the grammatically heinous and somehow perfect line, “Is this a story arc? / Cause if it are, it’d be iconic.” But then I’d be ignoring that insanely catchy beat, which sounds like the Vengaboys trying to impress Kylie Minogue in 1998.
3. Tune-Yards – “Nowhere, Man”
This duo loves establishing a monster drum and bass grove, and then doing everything they can to get in its way. On “Nowhere, Man” they try telephone vocal effects, a shouty chorus and a bridge that throws the kitchen sink into the mix. None of it kept me from dancing.
4. Aesop Rock – “Long Legged Larry”
Did you know that March 20 was World Frog Day? Aesop Rock did, inventing an amphibious character called Long Legged Larry who rescues cats from trees and poodles from high-wire act disasters, rapping about him in a sing-song storytelling style that will have listeners of all ages jumping for joy.
5. Loretta Lynn – “I Saw the Light”
New music from a profoundly influential, 88-year-old country legend, singing Hank Williams’s timeless ode to spiritual epiphanies with palpable delight in her voice? Maybe there is a god.
6. Georgia Anne Muldrow – “Mufaro’s Garden”
Evocative, jazz-inflected instrumental hip-hop that doesn’t need a rapper to resonate – it’s already rhyming with our souls.
7. Genghis Tron – “Pyrocene”
This synthesizer-fueled prog-metal group has reunited after over a decade apart, seemingly on a shared mission to uncover a new form of interstellar sonic beauty.
8. Floating Points, Pharoah Sanders & The London Symphony Orchestra – “Movement 4”
The 80-year-old saxophone legend Pharoah Sanders has teamed up with a British producer and world-famous orchestra on a gorgeously interconnected suite called Promises. This is my favorite bit, because it begins with Sanders vocalizing into the mic over a soft bed of mallet instruments. He doesn’t form one word, aware that his improvised gibberish has a soothing quality, like the sound of bubbles racing to the surface of a pond.
9. Lil Nas X – “Montero (Call Me By Your Name)”
By titling his new single with his real-life first name and tossing in an homage to one of the first gay films he ever watched, Lil Nas X is not bowing to the pressure he must be facing to give the world another “Old Town Road.” He’s taking us along on his personal journey instead, rapping over a flamenco-flecked beat about a real-life COVID crush and confessing “I wanna sell what your buyin’ / I wanna feel on your ass in Hawaii.”
10. Waxahatchee – “Light of a Clear Blue Morning”
As the vaccination numbers continue to rise, and more and more people step out into the world with something resembling relief, the timing was right for Katie Crutchfield to release her cover of “Light of a Clear Blue Morning,” hewing closely to the golden-sunrise country-pop arrangement of Dolly Parton’s cynicism-destroying original. It’s the sound of hope, pure and true.