Hey there, world. I haven’t posted here in three months, and here’s why – I’ve been busy writing album reviews for a pair of lovely websites, Slant Magazine and The Quietus. That’s really no excuse to have been dormant for so long, especially when you consider all the hours I wasted watching House of Cards. Hey, did you know politicians are corrupt? Anyhoo, here are some handy hyperlinks to some of those reviews, to prove I’m not lying. Consume away!
I’ve gushed about Bill Callahan more than once on this site, so it goes without saying that I approached this dub remix of 2013’s astounding Dream River from the perspective of a frothing megafan. A frothing megafan that expects more than this.
Reviewed in Slant Magazine, 1/20/14
On their first new record in 15 years, Miho Hatori and Yuka Honda get nostalgic in an appropriately, oddly imaginative way – through the perspective of a ghost that haunts the titular hotel. It’s carefully crafted avant-pop that’s more than a bit profound.
Reviewed in The Quietus, 2/14/14
I had high hopes for this release from a Kendrick Lamar crewmate, especially once I heard the propulsive reggae beat of the single “Collard Greens.” Alas, it is not the Doggystyle to Lamar’s The Chronic.
Reviewed in Slant Magazine, 2/25/14
A lot of what has made Drive-By Truckers great in the past – incredible story-songs, walls of guitars, a variety of songwriters – cannot be found on English Oceans. But Patterson Hood and Mike Cooley make up for it with addictive Southern rock tunes that feel instantly weathered.
Reviewed in The Quietus, 3/7/14
The Aussie pop legend makes dance-pop whose effervescence belies its lyrical simplicity. On Kiss Me Once, she pays homage to the power of positive thinking so directly and shamelessly, you can’t help but be taken up in it.
Reviewed in Slant Magazine, 3/16/14